A cybersecurity specialist and AI researcher with over a decade of experience in tech innovation and digital transformation strategies.
‘Tis the season to relax on the couch and demolish a tin of festive treats in front of a good movie, a poor film, or one that’s terrible yet terrific.
This year, a crop of fresh seasonal stories strives to join part of our festive viewing—perhaps even earning a place alongside timeless staples like Home Alone, Elf, Love Actually, and Die Hard (no arguments).
Therefore, in a vital public service to sort the crackers from the turkeys, and to embrace the festive feeling, I binged as many recent Christmas films as possible in a single day.
Beginning, optimistically, on a good foot. This release is the only 2025 title on a popular review site's list of the top 100 festive features of all time.
The Jonas Brothers are trapped in the UK after finishing their international trek and must make it back for Christmas. Their endeavors are thwarted by an evil Santa, who breaks into song to announce they won’t get home until they “rediscover their brotherly magic.”
The banter between the squabbling siblings is amusing even for the non-fan, while fans will no doubt notice lots of in-jokes as they try to get back using every mode of travel possible.
It’s a journey of epic proportions.
It’s not an all-time classic, but is superb for devotees and a solid start to the day.
Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their relatives who will have to sit through it.
Famous performer Kiefer Sutherland stars as a Hollywood star roped into a traditional British stage show.
“A what's a panto??” asks Sutherland’s “temperamental” and aging star Brad Mack, who has hit a rough patch and whose agent has deceived him into thinking he’s appearing in high-class London stage.
His Aladdin co-stars tell him he’s playing Buttons. “No I'm not,” he insists angrily. You can guess their reply. That is, unless you’re not acquainted with traditional panto catchphrases.
There are some very funny lines, some heartwarming sub-plots, and the rest of the cast is cracking, too.
It’s the type of film that would be a bit cheesy at a different time, but is a great entertainment at Christmas.
Festive score: 🎄🎄🎄🎄
Danny Dyer shows up at the outset of this film, too, insulting someone for the second consecutive movie. Could this be a new Christmas tradition?
This time, he’s a crooning chauffeur who picks up Mr Sood, the newest interpretation on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by The Big Bang Theory’s Kunal Nayyar and Christmas Karma is directed by the filmmaker behind Gurinder Chadha. The classic narrative develops as the miserly Mr Sood is haunted by the spirits of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.
This cultural adaptation is at least unique from all the others, but regrettably he’s not very charismatic and Nayyar’s acting is lifeless—a significant issue when he’s so central to everything.
Festive score: 🎄🎄
There's just enough time for a network's original festive film—which stars Guz Khan as a endearingly grumpy man who “isn't big on Christmas.”
But after he is awarded an large festive windfall at work, his wife (portrayed by Morgana Robinson) talks him into splurging the cash on a holiday to Lapland.
There’s just one snag—he discovers there was an mistake with his bonus, which should have been £800, and he has to devise a plan for how to pay back the difference.
Enjoyable but forgettable.
Festive score: 🎄🎄
This is one of those Christmas films where the decorations and snow are in the backdrop—Christmas is the setting of the film rather than its core purpose—but it feels cosy and festive all the same.
Ambitious executive Sydney (starring Minka Kelly) is sent to a French chateau to do a deal for a champagne business. On the way, she encounters a guy in a literary haven who promises to show her Christmas in Paris.
A critic recently declared this is the top new Christmas film of the recent era. That’s a bit of a exaggeration, but it is a festive dalliance with a hint of sophistication and gives the obligatory warm and fuzzy feels.
The scene with a detailed conversation about Die Hard is particularly strong too.
Holiday verdict: 🎄🎄🎄
Teenage Chris, played by Lenny Rush, holds onto his belief in Father Christmas, in spite of the persuasion of his dad (starring James Buckley) to tell him the truth.
The truth is to be discovered, and Chris embarks on a quest to find it with the expert help of a team of well-known figures.
It’s understated but endearing, and good viewing while expecting Santa to visit.
Festive score: 🎄🎄🎄
Michelle Pfeiffer is the matriarch of a bickering American family who reunite for the holidays—including fellow Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer begins by referencing Christmas classics like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before stating: “They need to make a movie about the true heroes of the holidays—moms.”
So that’s the concept, but in reality it’s really a combination of those forerunner films, at least until Pfeiffer’s character eventually finds her strength.
Festive score: 🎄🎄
The day’s waned in quality, but thankfully here’s a new addition in the saturated market of cliched, saccharine, over-the-top—and strangely compelling—seasonal comfort food.
It’s a tale as familiar as can be: An American woman travels to a distant snowy land and ends up discovering romance.
In this case, Caprice Bourret plays a publisher
A cybersecurity specialist and AI researcher with over a decade of experience in tech innovation and digital transformation strategies.